Dr. des. Frithjof Bömcke-Vollmer

Wissenschaftlicher Mitarbeiter
Mitarbeiter DFG-Projekt "Digitale Interpretationsedition: Prototypischer Forschungsprozess und Modelledition“ (2025–28)
Postdoc
DFG-Projekt "Digitale Interpretationsedition: Prototypischer Forschungsprozess und Modelledition“ (2025–28)

Über Frithjof Bömcke-Vollmer

Frithjof Vollmer, PhD, studied Double Bass Performance, Historical Musicology, and Philosophy in Weimar (Germany), Eugene (USA), and Stuttgart (Germany). Working as a Research Assistant 2019–2025 at the Stuttgart University of Music and Performing Arts, he completed a PhD thesis on musical gestures in string instrument performance in the first half of the 20th century. Lectureships at the University Halle-Wittenberg (2023), University Tübingen (2024), and Nuremberg University of Music (since 2025), Germany; Postdoctoral Researcher in the GRF project “Conceptualising a Digital Performance Edition” (since October 2025). Recent publications include performance histories of the 19th and 20th century as well as the co-edition of a volume concerned with the current state of digital analysis in performance research (Softwaregestützte Interpretationsforschung. Grundsätze, Desiderate und Grenzen, Würzburg: Königshausen & Neumann 2023). 

Forschung

Forschungsschwerpunkte

Digitale Musikforschung & Edition

Interpretationsforschung

Geschichte musikalischer Medien

Regionalmusikforschung

Publikationen

Aktuelle Publikationen

Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition

A. Berndt, A. Münzmay, F. Bömcke-Vollmer, in: {DAGA 2024 – 50. Jahrestagung Für Akustik}, Hannover, Germany, 2024.


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